[Updated] Beginner's Guide to Choosing Lenses and Cameras for YouTube Vloggers
Beginner’s Guide to Choosing Lenses and Cameras for YouTube Vloggers
A Vlogger’s Guide To Camera Lenses
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Ultimate Laptops: Your Go-To Machine for Expert Video Editing
The Best Laptops for Video Editing
Richard Bennett
Oct 26, 2023• Proven solutions
This article lists the 3 best laptops for video editing in 2018.
Whether you’re an industry professional or an avid YouTuber, you know how important it is to produce quality videos consistently.
The quality of the videos you create will depend on your creativity, the editing software you use, and the hardware that software is installed on. And as you probably know, it can be tough to work fast and get good results when your hardware or laptop isn’t strong enough to power your software properly and allow you to work at the pace you want.
The best laptops for video editing in 2018 have three things in common. First, they have top-of-the-line display technology for color accuracy, color depth, and clarity. Next, they have discrete (dedicated) Graphic Processing Units (GPUs) with accompanying RAM to enable them to handle video processing fast without compromising other system functions. And finally, they have Intel core i7 CPU processors and Solid-State Drives (SSD) for faster overall performance.
THE TOP 3 LAPTOPS FOR EDITING VIDEO IN 2018
The top 3 laptops below are quite impressive. They have the right mix of power and function that video editing requires.
1.MACBOOK PRO WITH TOUCH BAR
PRICE: $1500 - $1800
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: Radeon Pro 555 with 2GB memory – 560 with 4GB memory
RAM: 16GB
SCREEN: 15.4” Retina Display
RES: 2880 x 1800px
STORAGE: 128 – 256GB SSD
PROS
- OLED Touch Bar
- Thunderbolt 3 ports
- Large Trackpad
CONS:
- No other input ports available besides Thunderbolt 3
- Expensive
The MacBook Pro with Touch Bar is the best video editing laptop produced by Apple. It has a wide 15.4” screen with thin bezels, and its proprietary OLED Touch bar amps up its flexibility and functionality considerably. The Touch Bar is set-up to show different shortcuts for different apps. It works quite well with Photoshop and will show thumbnails, filter options, a color picker, and more while you’re editing videos or stills.
Working with large 4K video files is much easier with the MacBook Pro. It’s fitted with Thunderbolt 3 Ports which have the highest data and video bandwidth available for USB-C connections. With these Thunderbolt ports, you can also use high-speed and high-power peripherals without a hitch. This laptop also has an extra-wide touchpad or Trackpad (as Apple calls it) which expands your physical working surface while also making it easier to do detailed video editing.
Unfortunately, if you need a variety of ports like most videographers, working with the MacBook Pro could be a challenge as it only has Thunderbolt 3 ports. If this is the laptop you prefer, you’ll need to buy additional connection hardware to work with different input devices. And while this laptop impresses in many ways, it’s also quite expensive. There are certainly other laptops on the market which can give you similar performance at a lower cost.
2. DELL XPS 15
PRICE: $999 - $1300
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: NVIDIA GeForce GTX 1050
RAM: 8 - 16GB
SCREEN: 15.6”
RES: FHD - 4k UHD 3840 x 2160px
STORAGE: 256GB – 1TB SSD
PROS
- 4k InfinityEdge display
- Good battery life
- Has multiple input ports
CONS:
- Webcam is oddly positioned
The Dell XPS 15 is one laptop that hits the sweet spot for many videographers. It’s considered the closest competitor to the MacBook Pro reviewed above. In fact, many would argue that it tops the MacBook Pro when it comes to speed, color accuracy, and color depth. Its 15.6” screen has very thin bezels for minimal distraction and immersive work experience. At 4K resolution and displaying a wide range of the sRGB gamut, video editing with the Dell XPS 15 promises to be both smooth and enjoyable.
The Dell XPS 15 is certainly more affordable, while still delivering excellent graphics performance. It features an Intel i7 processor and the NVIDIA GeForce GTX 1050 graphics processor. This makes it remarkably fast for video editing, as well as energy-efficient. People who work with different input devices will also like that this laptop has legacy adapters (USB, HDMI, ethernet) alongside a USB type C port.
The biggest downside to the Dell XPS 15 laptop is its oddly positioned webcam. It feels awkward and can be an inconvenience to use since you’ll have to adjust your position significantly while making video calls or recording for your YouTube channel.
3. MICROSOFT SURFACE BOOK 2
PRICE: $1499 - $2499
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: Intel HD 620 or Nvidia GTX 1050 / GTX 1060
RAM: 16GB
SCREEN: 15.0”
RES: 3240 x 2160px
STORAGE: 256GB, 512GB – 1TB SSD
PROS
- Detachable screen
- Has multiple input ports (USB Type-A, USB Type-C, SD card reader)
- Works with a Stylus
CONS:
- Expensive
- Fulcrum hinge
The Microsoft Surface Book 2 is a laptop and a tablet thanks to its detachable screen. At a resolution of 3240 x 2160px, its screen is nearly 4k and can handle Full HD and HD footage with ease. Add to this its capacity to show a considerable portion of the sRGB gamut and its easy-to-use stylus and you can see why this 2-in-1 combo from Microsoft is one of the top 3 laptops for video editing in 2018.
Surface Book 2 also has the right combination of power and storage capacity that video editing requires. It boasts a state-of-the-art NVIDIA graphics processor and an Intel i7 processor for a smooth workflow no matter the size or level of detail involved in your video editing project.
On the downside, this laptop is undoubtedly very expensive. Compared to the function and power you can get from the DELL XPS 15, it’s hard to justify paying nearly $2500 for the Surface Book 2. Its detachable screen, supported by a fulcrum hinge, also comes at a price. It makes the laptop a bit bulky at one end when it’s folded. This in turn can make day-to-day handling a bit more tricky than it has to be.
CONCLUSION
If you’re searching for a good laptop to help you improve the quality of your videos in 2018, look no further than these 3. They have all the power, function, and storage capacity you need to handle any project with ease. Just be mindful of your budget and consider which extras are worth the expense. Go for the MacBook Pro with Touch Bar if customizing your workflow is a priority. Opt for the Dell XPS 15 if you want the best combination of display quality and graphics processing. Finally, consider the Surface Book 2 if you need the flexibility of a 2-in-1 device.
What do you think is the best laptop for video editing?
Equip Your Laptop with the Best Video Editing Software
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Oct 26, 2023• Proven solutions
This article lists the 3 best laptops for video editing in 2018.
Whether you’re an industry professional or an avid YouTuber, you know how important it is to produce quality videos consistently.
The quality of the videos you create will depend on your creativity, the editing software you use, and the hardware that software is installed on. And as you probably know, it can be tough to work fast and get good results when your hardware or laptop isn’t strong enough to power your software properly and allow you to work at the pace you want.
The best laptops for video editing in 2018 have three things in common. First, they have top-of-the-line display technology for color accuracy, color depth, and clarity. Next, they have discrete (dedicated) Graphic Processing Units (GPUs) with accompanying RAM to enable them to handle video processing fast without compromising other system functions. And finally, they have Intel core i7 CPU processors and Solid-State Drives (SSD) for faster overall performance.
THE TOP 3 LAPTOPS FOR EDITING VIDEO IN 2018
The top 3 laptops below are quite impressive. They have the right mix of power and function that video editing requires.
1.MACBOOK PRO WITH TOUCH BAR
PRICE: $1500 - $1800
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: Radeon Pro 555 with 2GB memory – 560 with 4GB memory
RAM: 16GB
SCREEN: 15.4” Retina Display
RES: 2880 x 1800px
STORAGE: 128 – 256GB SSD
PROS
- OLED Touch Bar
- Thunderbolt 3 ports
- Large Trackpad
CONS:
- No other input ports available besides Thunderbolt 3
- Expensive
The MacBook Pro with Touch Bar is the best video editing laptop produced by Apple. It has a wide 15.4” screen with thin bezels, and its proprietary OLED Touch bar amps up its flexibility and functionality considerably. The Touch Bar is set-up to show different shortcuts for different apps. It works quite well with Photoshop and will show thumbnails, filter options, a color picker, and more while you’re editing videos or stills.
Working with large 4K video files is much easier with the MacBook Pro. It’s fitted with Thunderbolt 3 Ports which have the highest data and video bandwidth available for USB-C connections. With these Thunderbolt ports, you can also use high-speed and high-power peripherals without a hitch. This laptop also has an extra-wide touchpad or Trackpad (as Apple calls it) which expands your physical working surface while also making it easier to do detailed video editing.
Unfortunately, if you need a variety of ports like most videographers, working with the MacBook Pro could be a challenge as it only has Thunderbolt 3 ports. If this is the laptop you prefer, you’ll need to buy additional connection hardware to work with different input devices. And while this laptop impresses in many ways, it’s also quite expensive. There are certainly other laptops on the market which can give you similar performance at a lower cost.
2. DELL XPS 15
PRICE: $999 - $1300
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: NVIDIA GeForce GTX 1050
RAM: 8 - 16GB
SCREEN: 15.6”
RES: FHD - 4k UHD 3840 x 2160px
STORAGE: 256GB – 1TB SSD
PROS
- 4k InfinityEdge display
- Good battery life
- Has multiple input ports
CONS:
- Webcam is oddly positioned
The Dell XPS 15 is one laptop that hits the sweet spot for many videographers. It’s considered the closest competitor to the MacBook Pro reviewed above. In fact, many would argue that it tops the MacBook Pro when it comes to speed, color accuracy, and color depth. Its 15.6” screen has very thin bezels for minimal distraction and immersive work experience. At 4K resolution and displaying a wide range of the sRGB gamut, video editing with the Dell XPS 15 promises to be both smooth and enjoyable.
The Dell XPS 15 is certainly more affordable, while still delivering excellent graphics performance. It features an Intel i7 processor and the NVIDIA GeForce GTX 1050 graphics processor. This makes it remarkably fast for video editing, as well as energy-efficient. People who work with different input devices will also like that this laptop has legacy adapters (USB, HDMI, ethernet) alongside a USB type C port.
The biggest downside to the Dell XPS 15 laptop is its oddly positioned webcam. It feels awkward and can be an inconvenience to use since you’ll have to adjust your position significantly while making video calls or recording for your YouTube channel.
3. MICROSOFT SURFACE BOOK 2
PRICE: $1499 - $2499
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: Intel HD 620 or Nvidia GTX 1050 / GTX 1060
RAM: 16GB
SCREEN: 15.0”
RES: 3240 x 2160px
STORAGE: 256GB, 512GB – 1TB SSD
PROS
- Detachable screen
- Has multiple input ports (USB Type-A, USB Type-C, SD card reader)
- Works with a Stylus
CONS:
- Expensive
- Fulcrum hinge
The Microsoft Surface Book 2 is a laptop and a tablet thanks to its detachable screen. At a resolution of 3240 x 2160px, its screen is nearly 4k and can handle Full HD and HD footage with ease. Add to this its capacity to show a considerable portion of the sRGB gamut and its easy-to-use stylus and you can see why this 2-in-1 combo from Microsoft is one of the top 3 laptops for video editing in 2018.
Surface Book 2 also has the right combination of power and storage capacity that video editing requires. It boasts a state-of-the-art NVIDIA graphics processor and an Intel i7 processor for a smooth workflow no matter the size or level of detail involved in your video editing project.
On the downside, this laptop is undoubtedly very expensive. Compared to the function and power you can get from the DELL XPS 15, it’s hard to justify paying nearly $2500 for the Surface Book 2. Its detachable screen, supported by a fulcrum hinge, also comes at a price. It makes the laptop a bit bulky at one end when it’s folded. This in turn can make day-to-day handling a bit more tricky than it has to be.
CONCLUSION
If you’re searching for a good laptop to help you improve the quality of your videos in 2018, look no further than these 3. They have all the power, function, and storage capacity you need to handle any project with ease. Just be mindful of your budget and consider which extras are worth the expense. Go for the MacBook Pro with Touch Bar if customizing your workflow is a priority. Opt for the Dell XPS 15 if you want the best combination of display quality and graphics processing. Finally, consider the Surface Book 2 if you need the flexibility of a 2-in-1 device.
What do you think is the best laptop for video editing?
Equip Your Laptop with the Best Video Editing Software
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Oct 26, 2023• Proven solutions
This article lists the 3 best laptops for video editing in 2018.
Whether you’re an industry professional or an avid YouTuber, you know how important it is to produce quality videos consistently.
The quality of the videos you create will depend on your creativity, the editing software you use, and the hardware that software is installed on. And as you probably know, it can be tough to work fast and get good results when your hardware or laptop isn’t strong enough to power your software properly and allow you to work at the pace you want.
The best laptops for video editing in 2018 have three things in common. First, they have top-of-the-line display technology for color accuracy, color depth, and clarity. Next, they have discrete (dedicated) Graphic Processing Units (GPUs) with accompanying RAM to enable them to handle video processing fast without compromising other system functions. And finally, they have Intel core i7 CPU processors and Solid-State Drives (SSD) for faster overall performance.
THE TOP 3 LAPTOPS FOR EDITING VIDEO IN 2018
The top 3 laptops below are quite impressive. They have the right mix of power and function that video editing requires.
1.MACBOOK PRO WITH TOUCH BAR
PRICE: $1500 - $1800
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: Radeon Pro 555 with 2GB memory – 560 with 4GB memory
RAM: 16GB
SCREEN: 15.4” Retina Display
RES: 2880 x 1800px
STORAGE: 128 – 256GB SSD
PROS
- OLED Touch Bar
- Thunderbolt 3 ports
- Large Trackpad
CONS:
- No other input ports available besides Thunderbolt 3
- Expensive
The MacBook Pro with Touch Bar is the best video editing laptop produced by Apple. It has a wide 15.4” screen with thin bezels, and its proprietary OLED Touch bar amps up its flexibility and functionality considerably. The Touch Bar is set-up to show different shortcuts for different apps. It works quite well with Photoshop and will show thumbnails, filter options, a color picker, and more while you’re editing videos or stills.
Working with large 4K video files is much easier with the MacBook Pro. It’s fitted with Thunderbolt 3 Ports which have the highest data and video bandwidth available for USB-C connections. With these Thunderbolt ports, you can also use high-speed and high-power peripherals without a hitch. This laptop also has an extra-wide touchpad or Trackpad (as Apple calls it) which expands your physical working surface while also making it easier to do detailed video editing.
Unfortunately, if you need a variety of ports like most videographers, working with the MacBook Pro could be a challenge as it only has Thunderbolt 3 ports. If this is the laptop you prefer, you’ll need to buy additional connection hardware to work with different input devices. And while this laptop impresses in many ways, it’s also quite expensive. There are certainly other laptops on the market which can give you similar performance at a lower cost.
2. DELL XPS 15
PRICE: $999 - $1300
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: NVIDIA GeForce GTX 1050
RAM: 8 - 16GB
SCREEN: 15.6”
RES: FHD - 4k UHD 3840 x 2160px
STORAGE: 256GB – 1TB SSD
PROS
- 4k InfinityEdge display
- Good battery life
- Has multiple input ports
CONS:
- Webcam is oddly positioned
The Dell XPS 15 is one laptop that hits the sweet spot for many videographers. It’s considered the closest competitor to the MacBook Pro reviewed above. In fact, many would argue that it tops the MacBook Pro when it comes to speed, color accuracy, and color depth. Its 15.6” screen has very thin bezels for minimal distraction and immersive work experience. At 4K resolution and displaying a wide range of the sRGB gamut, video editing with the Dell XPS 15 promises to be both smooth and enjoyable.
The Dell XPS 15 is certainly more affordable, while still delivering excellent graphics performance. It features an Intel i7 processor and the NVIDIA GeForce GTX 1050 graphics processor. This makes it remarkably fast for video editing, as well as energy-efficient. People who work with different input devices will also like that this laptop has legacy adapters (USB, HDMI, ethernet) alongside a USB type C port.
The biggest downside to the Dell XPS 15 laptop is its oddly positioned webcam. It feels awkward and can be an inconvenience to use since you’ll have to adjust your position significantly while making video calls or recording for your YouTube channel.
3. MICROSOFT SURFACE BOOK 2
PRICE: $1499 - $2499
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: Intel HD 620 or Nvidia GTX 1050 / GTX 1060
RAM: 16GB
SCREEN: 15.0”
RES: 3240 x 2160px
STORAGE: 256GB, 512GB – 1TB SSD
PROS
- Detachable screen
- Has multiple input ports (USB Type-A, USB Type-C, SD card reader)
- Works with a Stylus
CONS:
- Expensive
- Fulcrum hinge
The Microsoft Surface Book 2 is a laptop and a tablet thanks to its detachable screen. At a resolution of 3240 x 2160px, its screen is nearly 4k and can handle Full HD and HD footage with ease. Add to this its capacity to show a considerable portion of the sRGB gamut and its easy-to-use stylus and you can see why this 2-in-1 combo from Microsoft is one of the top 3 laptops for video editing in 2018.
Surface Book 2 also has the right combination of power and storage capacity that video editing requires. It boasts a state-of-the-art NVIDIA graphics processor and an Intel i7 processor for a smooth workflow no matter the size or level of detail involved in your video editing project.
On the downside, this laptop is undoubtedly very expensive. Compared to the function and power you can get from the DELL XPS 15, it’s hard to justify paying nearly $2500 for the Surface Book 2. Its detachable screen, supported by a fulcrum hinge, also comes at a price. It makes the laptop a bit bulky at one end when it’s folded. This in turn can make day-to-day handling a bit more tricky than it has to be.
CONCLUSION
If you’re searching for a good laptop to help you improve the quality of your videos in 2018, look no further than these 3. They have all the power, function, and storage capacity you need to handle any project with ease. Just be mindful of your budget and consider which extras are worth the expense. Go for the MacBook Pro with Touch Bar if customizing your workflow is a priority. Opt for the Dell XPS 15 if you want the best combination of display quality and graphics processing. Finally, consider the Surface Book 2 if you need the flexibility of a 2-in-1 device.
What do you think is the best laptop for video editing?
Equip Your Laptop with the Best Video Editing Software
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Oct 26, 2023• Proven solutions
This article lists the 3 best laptops for video editing in 2018.
Whether you’re an industry professional or an avid YouTuber, you know how important it is to produce quality videos consistently.
The quality of the videos you create will depend on your creativity, the editing software you use, and the hardware that software is installed on. And as you probably know, it can be tough to work fast and get good results when your hardware or laptop isn’t strong enough to power your software properly and allow you to work at the pace you want.
The best laptops for video editing in 2018 have three things in common. First, they have top-of-the-line display technology for color accuracy, color depth, and clarity. Next, they have discrete (dedicated) Graphic Processing Units (GPUs) with accompanying RAM to enable them to handle video processing fast without compromising other system functions. And finally, they have Intel core i7 CPU processors and Solid-State Drives (SSD) for faster overall performance.
THE TOP 3 LAPTOPS FOR EDITING VIDEO IN 2018
The top 3 laptops below are quite impressive. They have the right mix of power and function that video editing requires.
1.MACBOOK PRO WITH TOUCH BAR
PRICE: $1500 - $1800
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: Radeon Pro 555 with 2GB memory – 560 with 4GB memory
RAM: 16GB
SCREEN: 15.4” Retina Display
RES: 2880 x 1800px
STORAGE: 128 – 256GB SSD
PROS
- OLED Touch Bar
- Thunderbolt 3 ports
- Large Trackpad
CONS:
- No other input ports available besides Thunderbolt 3
- Expensive
The MacBook Pro with Touch Bar is the best video editing laptop produced by Apple. It has a wide 15.4” screen with thin bezels, and its proprietary OLED Touch bar amps up its flexibility and functionality considerably. The Touch Bar is set-up to show different shortcuts for different apps. It works quite well with Photoshop and will show thumbnails, filter options, a color picker, and more while you’re editing videos or stills.
Working with large 4K video files is much easier with the MacBook Pro. It’s fitted with Thunderbolt 3 Ports which have the highest data and video bandwidth available for USB-C connections. With these Thunderbolt ports, you can also use high-speed and high-power peripherals without a hitch. This laptop also has an extra-wide touchpad or Trackpad (as Apple calls it) which expands your physical working surface while also making it easier to do detailed video editing.
Unfortunately, if you need a variety of ports like most videographers, working with the MacBook Pro could be a challenge as it only has Thunderbolt 3 ports. If this is the laptop you prefer, you’ll need to buy additional connection hardware to work with different input devices. And while this laptop impresses in many ways, it’s also quite expensive. There are certainly other laptops on the market which can give you similar performance at a lower cost.
2. DELL XPS 15
PRICE: $999 - $1300
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: NVIDIA GeForce GTX 1050
RAM: 8 - 16GB
SCREEN: 15.6”
RES: FHD - 4k UHD 3840 x 2160px
STORAGE: 256GB – 1TB SSD
PROS
- 4k InfinityEdge display
- Good battery life
- Has multiple input ports
CONS:
- Webcam is oddly positioned
The Dell XPS 15 is one laptop that hits the sweet spot for many videographers. It’s considered the closest competitor to the MacBook Pro reviewed above. In fact, many would argue that it tops the MacBook Pro when it comes to speed, color accuracy, and color depth. Its 15.6” screen has very thin bezels for minimal distraction and immersive work experience. At 4K resolution and displaying a wide range of the sRGB gamut, video editing with the Dell XPS 15 promises to be both smooth and enjoyable.
The Dell XPS 15 is certainly more affordable, while still delivering excellent graphics performance. It features an Intel i7 processor and the NVIDIA GeForce GTX 1050 graphics processor. This makes it remarkably fast for video editing, as well as energy-efficient. People who work with different input devices will also like that this laptop has legacy adapters (USB, HDMI, ethernet) alongside a USB type C port.
The biggest downside to the Dell XPS 15 laptop is its oddly positioned webcam. It feels awkward and can be an inconvenience to use since you’ll have to adjust your position significantly while making video calls or recording for your YouTube channel.
3. MICROSOFT SURFACE BOOK 2
PRICE: $1499 - $2499
SYSTEM SPECS:
CPU: Intel Core i7 Processor
GRAPHICS: Intel HD 620 or Nvidia GTX 1050 / GTX 1060
RAM: 16GB
SCREEN: 15.0”
RES: 3240 x 2160px
STORAGE: 256GB, 512GB – 1TB SSD
PROS
- Detachable screen
- Has multiple input ports (USB Type-A, USB Type-C, SD card reader)
- Works with a Stylus
CONS:
- Expensive
- Fulcrum hinge
The Microsoft Surface Book 2 is a laptop and a tablet thanks to its detachable screen. At a resolution of 3240 x 2160px, its screen is nearly 4k and can handle Full HD and HD footage with ease. Add to this its capacity to show a considerable portion of the sRGB gamut and its easy-to-use stylus and you can see why this 2-in-1 combo from Microsoft is one of the top 3 laptops for video editing in 2018.
Surface Book 2 also has the right combination of power and storage capacity that video editing requires. It boasts a state-of-the-art NVIDIA graphics processor and an Intel i7 processor for a smooth workflow no matter the size or level of detail involved in your video editing project.
On the downside, this laptop is undoubtedly very expensive. Compared to the function and power you can get from the DELL XPS 15, it’s hard to justify paying nearly $2500 for the Surface Book 2. Its detachable screen, supported by a fulcrum hinge, also comes at a price. It makes the laptop a bit bulky at one end when it’s folded. This in turn can make day-to-day handling a bit more tricky than it has to be.
CONCLUSION
If you’re searching for a good laptop to help you improve the quality of your videos in 2018, look no further than these 3. They have all the power, function, and storage capacity you need to handle any project with ease. Just be mindful of your budget and consider which extras are worth the expense. Go for the MacBook Pro with Touch Bar if customizing your workflow is a priority. Opt for the Dell XPS 15 if you want the best combination of display quality and graphics processing. Finally, consider the Surface Book 2 if you need the flexibility of a 2-in-1 device.
What do you think is the best laptop for video editing?
Equip Your Laptop with the Best Video Editing Software
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
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- Title: [Updated] Beginner's Guide to Choosing Lenses and Cameras for YouTube Vloggers
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- Link: https://youtube-videos.techidaily.com/updated-beginners-guide-to-choosing-lenses-and-cameras-for-youtube-vloggers/
- License: This work is licensed under CC BY-NC-SA 4.0.