In 2024, A Vlogger's Guide To Camera Lenses
Navigating Lenses for Professional Videography
A Vlogger’s Guide To Camera Lenses
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
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Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
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Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
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There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Take advantage of PREMIUM features for 12 months.Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Enhancing Video Quality with Right Lighting
Lighting Tips for Vlogging: How to Light
Richard Bennett
Mar 27, 2024• Proven solutions
One of the best things you can do for your video quality is to ensure you have great lighting. Viewers find poor lighting distracting and it’s hard for them to see how great your content is if they are busy thinking about why your video is so dark. By creating a great lighting set up you can ensure that the people watching your videos are only thinking about how much they’re enjoying them.
Going outside and using natural light is the cheapest way to get a lot of light for your videos. If your vlog is not suited to the great outdoors then you need to get more strategic. You can turn on all the lights in your living room and still end up with a dark, grainy, video.
Video Lighting Basics: Three Point Lighting
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The most common technique of lighting a scene is called three-point lighting. It involves three different sources of light in the shot and is used by portrait photographers, which is also a great method for lighting your vlog.
The brightest source of light is also known as the key light which need to be high quality. A window will work, but if you do not have access to one where you are filming then consider an LED panel light or a softbox light like the ones used in portrait photography.
This first light will create a dramatic shadow across half of your face. You want to reduce this shadow, but not get rid of it completely.
Rather than setting up another light source on the opposite side of the camera, put up a reflector to bounce some light back onto your face. This reflector is called your ‘Fill Light’.
The fill light is less bright than the primary source of light and it is placed on the side opposite to the key light. Its purpose is to reduce shadows produced by the key light and the reflector will need to be mounted on a stand.
The final step to creating three point lighting is to set up another light behind you. This is your ‘Backlight’, and it will help you stand out from your background. Backlight or Hair light is always placed behind and above the subject to create separation between the subject in the shot and the background. This basic lighting technique can be applied in almost every scene you shoot, which is why it is important to keep an open mind and to continue experimenting with possible light setups.
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Lightning Tips for Aspiring YouTube Videographers
Becoming the master of light will take some time and practice, so it is crucial to remain curious and anxious to learn new tricks throughout that process if you want to continually become better. These tips will help you make the first steps on that journey.
1. Focus Your Key Light
Try to focus your Key Light so that it lights only you and not your background. Do this by mounting anything that can cast a shadow onto your Key Light to control the area where the light hits. If you are using a window for your Key Light then you can use a curtain. If you use a softbox light then your light will already be somewhat focused.
2. Use Natural Lighting
The light provided by the Sun is still the best light source, you can have in your video. The trouble is that natural light changes quickly, which makes it highly unpredictable. The best way to deal with this challenge is to come prepared to the set and to get the shot you want as quickly as you can.
3. Try DIY Lightning
Literally, anything from candles to LED light bulbs can serve as a source of light in a shot. You just need to pay attention to the light temperature, because warmer light sources may highlight reds and yellows that can make your footage look less realistic.
4. Use Lightning Kits
This is by far the best option if you want to be in complete control of the light on your set. You can adjust the intensity of the lights, use filters, diffusers and all sorts of other accessories to create the light that flatters the subjects of your videos. The only downside is that you’ll have to spend a considerable amount of money if you want to have a professional lighting kit.
5. Set up reflectors
Sets of reflectors are often under $50, so they are fairly affordable. However, some vloggers choose to forgo purchasing reflectors and make their own out of tinfoil.
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If your strong main light is too hard on your eyes then you can use a translucent ‘reflector’ to soften it. Set your translucent reflector, or other screen, up in front of your main light to diffuse it.
If you are hosting a beauty vlog then you might consider a slightly different set up. Instead of having your main light off to one side set it up directly in front of you so your entire face is lit evenly. It is still a good idea to use fill lights in this set up to give you some dimension, and a backlight is even more essential for helping you stand out from the background. The even light hitting your face will also make you look flat if you do not use a backlight.
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If you are using all of the lighting options available to you and your video still looks too dark then you can try brightening it by opening up the aperture of your camera lens/setting a lower f-stop. Letting more light into your camera can help your footage look brighter, although you also run the risk of making things look overexposed/ washed out if you are not careful.
If you are stuck shooting in low light conditions it is best to use a lens with a wider aperture/lower f-stop. This will make the best of the light you do have.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
One of the best things you can do for your video quality is to ensure you have great lighting. Viewers find poor lighting distracting and it’s hard for them to see how great your content is if they are busy thinking about why your video is so dark. By creating a great lighting set up you can ensure that the people watching your videos are only thinking about how much they’re enjoying them.
Going outside and using natural light is the cheapest way to get a lot of light for your videos. If your vlog is not suited to the great outdoors then you need to get more strategic. You can turn on all the lights in your living room and still end up with a dark, grainy, video.
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Video Lighting Basics: Three Point Lighting
The most common technique of lighting a scene is called three-point lighting. It involves three different sources of light in the shot and is used by portrait photographers, which is also a great method for lighting your vlog.
The brightest source of light is also known as the key light which need to be high quality. A window will work, but if you do not have access to one where you are filming then consider an LED panel light or a softbox light like the ones used in portrait photography.
This first light will create a dramatic shadow across half of your face. You want to reduce this shadow, but not get rid of it completely.
Rather than setting up another light source on the opposite side of the camera, put up a reflector to bounce some light back onto your face. This reflector is called your ‘Fill Light’.
The fill light is less bright than the primary source of light and it is placed on the side opposite to the key light. Its purpose is to reduce shadows produced by the key light and the reflector will need to be mounted on a stand.
The final step to creating three point lighting is to set up another light behind you. This is your ‘Backlight’, and it will help you stand out from your background. Backlight or Hair light is always placed behind and above the subject to create separation between the subject in the shot and the background. This basic lighting technique can be applied in almost every scene you shoot, which is why it is important to keep an open mind and to continue experimenting with possible light setups.
Watch Video! Top Lighting Tips for Vlogging
Lightning Tips for Aspiring YouTube Videographers
Becoming the master of light will take some time and practice, so it is crucial to remain curious and anxious to learn new tricks throughout that process if you want to continually become better. These tips will help you make the first steps on that journey.
1. Focus Your Key Light
Try to focus your Key Light so that it lights only you and not your background. Do this by mounting anything that can cast a shadow onto your Key Light to control the area where the light hits. If you are using a window for your Key Light then you can use a curtain. If you use a softbox light then your light will already be somewhat focused.
2. Use Natural Lighting
The light provided by the Sun is still the best light source, you can have in your video. The trouble is that natural light changes quickly, which makes it highly unpredictable. The best way to deal with this challenge is to come prepared to the set and to get the shot you want as quickly as you can.
3. Try DIY Lightning
Literally, anything from candles to LED light bulbs can serve as a source of light in a shot. You just need to pay attention to the light temperature, because warmer light sources may highlight reds and yellows that can make your footage look less realistic.
4. Use Lightning Kits
This is by far the best option if you want to be in complete control of the light on your set. You can adjust the intensity of the lights, use filters, diffusers and all sorts of other accessories to create the light that flatters the subjects of your videos. The only downside is that you’ll have to spend a considerable amount of money if you want to have a professional lighting kit.
5. Set up reflectors
Sets of reflectors are often under $50, so they are fairly affordable. However, some vloggers choose to forgo purchasing reflectors and make their own out of tinfoil.
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If your strong main light is too hard on your eyes then you can use a translucent ‘reflector’ to soften it. Set your translucent reflector, or other screen, up in front of your main light to diffuse it.
If you are hosting a beauty vlog then you might consider a slightly different set up. Instead of having your main light off to one side set it up directly in front of you so your entire face is lit evenly. It is still a good idea to use fill lights in this set up to give you some dimension, and a backlight is even more essential for helping you stand out from the background. The even light hitting your face will also make you look flat if you do not use a backlight.
If you are using all of the lighting options available to you and your video still looks too dark then you can try brightening it by opening up the aperture of your camera lens/setting a lower f-stop. Letting more light into your camera can help your footage look brighter, although you also run the risk of making things look overexposed/ washed out if you are not careful.
If you are stuck shooting in low light conditions it is best to use a lens with a wider aperture/lower f-stop. This will make the best of the light you do have.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
One of the best things you can do for your video quality is to ensure you have great lighting. Viewers find poor lighting distracting and it’s hard for them to see how great your content is if they are busy thinking about why your video is so dark. By creating a great lighting set up you can ensure that the people watching your videos are only thinking about how much they’re enjoying them.
Going outside and using natural light is the cheapest way to get a lot of light for your videos. If your vlog is not suited to the great outdoors then you need to get more strategic. You can turn on all the lights in your living room and still end up with a dark, grainy, video.
Video Lighting Basics: Three Point Lighting
The most common technique of lighting a scene is called three-point lighting. It involves three different sources of light in the shot and is used by portrait photographers, which is also a great method for lighting your vlog.
The brightest source of light is also known as the key light which need to be high quality. A window will work, but if you do not have access to one where you are filming then consider an LED panel light or a softbox light like the ones used in portrait photography.
This first light will create a dramatic shadow across half of your face. You want to reduce this shadow, but not get rid of it completely.
Rather than setting up another light source on the opposite side of the camera, put up a reflector to bounce some light back onto your face. This reflector is called your ‘Fill Light’.
The fill light is less bright than the primary source of light and it is placed on the side opposite to the key light. Its purpose is to reduce shadows produced by the key light and the reflector will need to be mounted on a stand.
The final step to creating three point lighting is to set up another light behind you. This is your ‘Backlight’, and it will help you stand out from your background. Backlight or Hair light is always placed behind and above the subject to create separation between the subject in the shot and the background. This basic lighting technique can be applied in almost every scene you shoot, which is why it is important to keep an open mind and to continue experimenting with possible light setups.
Watch Video! Top Lighting Tips for Vlogging
Lightning Tips for Aspiring YouTube Videographers
Becoming the master of light will take some time and practice, so it is crucial to remain curious and anxious to learn new tricks throughout that process if you want to continually become better. These tips will help you make the first steps on that journey.
1. Focus Your Key Light
Try to focus your Key Light so that it lights only you and not your background. Do this by mounting anything that can cast a shadow onto your Key Light to control the area where the light hits. If you are using a window for your Key Light then you can use a curtain. If you use a softbox light then your light will already be somewhat focused.
2. Use Natural Lighting
The light provided by the Sun is still the best light source, you can have in your video. The trouble is that natural light changes quickly, which makes it highly unpredictable. The best way to deal with this challenge is to come prepared to the set and to get the shot you want as quickly as you can.
3. Try DIY Lightning
Literally, anything from candles to LED light bulbs can serve as a source of light in a shot. You just need to pay attention to the light temperature, because warmer light sources may highlight reds and yellows that can make your footage look less realistic.
4. Use Lightning Kits
This is by far the best option if you want to be in complete control of the light on your set. You can adjust the intensity of the lights, use filters, diffusers and all sorts of other accessories to create the light that flatters the subjects of your videos. The only downside is that you’ll have to spend a considerable amount of money if you want to have a professional lighting kit.
5. Set up reflectors
Sets of reflectors are often under $50, so they are fairly affordable. However, some vloggers choose to forgo purchasing reflectors and make their own out of tinfoil.
If your strong main light is too hard on your eyes then you can use a translucent ‘reflector’ to soften it. Set your translucent reflector, or other screen, up in front of your main light to diffuse it.
If you are hosting a beauty vlog then you might consider a slightly different set up. Instead of having your main light off to one side set it up directly in front of you so your entire face is lit evenly. It is still a good idea to use fill lights in this set up to give you some dimension, and a backlight is even more essential for helping you stand out from the background. The even light hitting your face will also make you look flat if you do not use a backlight.
If you are using all of the lighting options available to you and your video still looks too dark then you can try brightening it by opening up the aperture of your camera lens/setting a lower f-stop. Letting more light into your camera can help your footage look brighter, although you also run the risk of making things look overexposed/ washed out if you are not careful.
If you are stuck shooting in low light conditions it is best to use a lens with a wider aperture/lower f-stop. This will make the best of the light you do have.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
One of the best things you can do for your video quality is to ensure you have great lighting. Viewers find poor lighting distracting and it’s hard for them to see how great your content is if they are busy thinking about why your video is so dark. By creating a great lighting set up you can ensure that the people watching your videos are only thinking about how much they’re enjoying them.
Going outside and using natural light is the cheapest way to get a lot of light for your videos. If your vlog is not suited to the great outdoors then you need to get more strategic. You can turn on all the lights in your living room and still end up with a dark, grainy, video.
Video Lighting Basics: Three Point Lighting
The most common technique of lighting a scene is called three-point lighting. It involves three different sources of light in the shot and is used by portrait photographers, which is also a great method for lighting your vlog.
The brightest source of light is also known as the key light which need to be high quality. A window will work, but if you do not have access to one where you are filming then consider an LED panel light or a softbox light like the ones used in portrait photography.
This first light will create a dramatic shadow across half of your face. You want to reduce this shadow, but not get rid of it completely.
Rather than setting up another light source on the opposite side of the camera, put up a reflector to bounce some light back onto your face. This reflector is called your ‘Fill Light’.
The fill light is less bright than the primary source of light and it is placed on the side opposite to the key light. Its purpose is to reduce shadows produced by the key light and the reflector will need to be mounted on a stand.
The final step to creating three point lighting is to set up another light behind you. This is your ‘Backlight’, and it will help you stand out from your background. Backlight or Hair light is always placed behind and above the subject to create separation between the subject in the shot and the background. This basic lighting technique can be applied in almost every scene you shoot, which is why it is important to keep an open mind and to continue experimenting with possible light setups.
Watch Video! Top Lighting Tips for Vlogging
Lightning Tips for Aspiring YouTube Videographers
Becoming the master of light will take some time and practice, so it is crucial to remain curious and anxious to learn new tricks throughout that process if you want to continually become better. These tips will help you make the first steps on that journey.
1. Focus Your Key Light
Try to focus your Key Light so that it lights only you and not your background. Do this by mounting anything that can cast a shadow onto your Key Light to control the area where the light hits. If you are using a window for your Key Light then you can use a curtain. If you use a softbox light then your light will already be somewhat focused.
2. Use Natural Lighting
The light provided by the Sun is still the best light source, you can have in your video. The trouble is that natural light changes quickly, which makes it highly unpredictable. The best way to deal with this challenge is to come prepared to the set and to get the shot you want as quickly as you can.
3. Try DIY Lightning
Literally, anything from candles to LED light bulbs can serve as a source of light in a shot. You just need to pay attention to the light temperature, because warmer light sources may highlight reds and yellows that can make your footage look less realistic.
4. Use Lightning Kits
This is by far the best option if you want to be in complete control of the light on your set. You can adjust the intensity of the lights, use filters, diffusers and all sorts of other accessories to create the light that flatters the subjects of your videos. The only downside is that you’ll have to spend a considerable amount of money if you want to have a professional lighting kit.
5. Set up reflectors
Sets of reflectors are often under $50, so they are fairly affordable. However, some vloggers choose to forgo purchasing reflectors and make their own out of tinfoil.
If your strong main light is too hard on your eyes then you can use a translucent ‘reflector’ to soften it. Set your translucent reflector, or other screen, up in front of your main light to diffuse it.
If you are hosting a beauty vlog then you might consider a slightly different set up. Instead of having your main light off to one side set it up directly in front of you so your entire face is lit evenly. It is still a good idea to use fill lights in this set up to give you some dimension, and a backlight is even more essential for helping you stand out from the background. The even light hitting your face will also make you look flat if you do not use a backlight.
If you are using all of the lighting options available to you and your video still looks too dark then you can try brightening it by opening up the aperture of your camera lens/setting a lower f-stop. Letting more light into your camera can help your footage look brighter, although you also run the risk of making things look overexposed/ washed out if you are not careful.
If you are stuck shooting in low light conditions it is best to use a lens with a wider aperture/lower f-stop. This will make the best of the light you do have.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
- Title: In 2024, A Vlogger's Guide To Camera Lenses
- Author: Kevin
- Created at : 2024-07-22 16:38:25
- Updated at : 2024-07-23 16:38:25
- Link: https://youtube-videos.techidaily.com/in-2024-a-vloggers-guide-to-camera-lenses/
- License: This work is licensed under CC BY-NC-SA 4.0.