Eluding YouTube Ban: Protective Measures

How to Avoid and Reverse Strikes on Your YouTube Channel

Richard Bennett

Oct 26, 2023• Proven solutions

0

Do you monetize your videos? Or, do you like to Livestream? These are two perks of having a YouTube account in good standing. You can lose these privileges, have your ability to post videos frozen, and even have your account terminated if you start accumulating strikes.

If you receive a strike, you will usually be able to get rid of it. This article will show you how.

Table of Content:

1. Copyright Strikes

2. Wrongful Copyright Strikes

3. Community Guidelines Strikes

There are two types of strikes: Community Guideline Strikes and Copyright Strikes. Your account and all your videos will be deleted if you get three of either one of these types of strikes, but YouTube is fair about how these strikes are given out and how you can reverse them.

1. Copyright Strikes

You get a copyright strike when you use media in your video which someone else owns the copyrights to. Music, clips, photographs, and sound effects are examples of the kinds of media you may use that could be owned by someone else.

The most obvious way to earn a copyright strike is to repost content which you did not create, i.e. clips from a television show or a popular song. If you know that the content you got a strike for was not yours and did not fall under ‘fair use ’, then there are two ways you can resolve it.

1. You can complete YouTube’s simple course on copyright infringement (Copyright School ) and wait three months. Copyright strikes expire in three months so long as you complete the course (they will not expire if you don’t take the course).

2. you can contact the holder of the copyright and ask them to retract their claim. You will probably have to offer to delete your video. Keep in mind that it is completely up to the rights holder whether you deleting your video is enough for them to retract their claim. They are allowed to say ‘no’.

Deleting your video, especially if you do so without contacting the rights holder, will not automatically reverse your copyright strike.

The majority of copyright strikes that you as a YouTube creator receive – if you receive any – will not be as black and white as ‘someone else owns it, you shouldn’t have used it’. If you know that you have a license to use the song or other media you got the strike for, or feel like your use of a clip falls under ‘fair use’, then your path to reversing the strike will be different.

2. Wrongful Copyright Strikes

YouTube’s system for detecting copyright infringement is automated. This means that you can get a copyright strike without actually breaking any rules. These strikes are generally easy to reverse.

For creators, the most common instance of this is being flagged for using copyrighted music. When you download royalty-free music – whether you download it for free or pay for it – you might not realize that that music is still copyrighted to someone else and can still be flagged by YouTube’s system.

If this has happened to you, reversing it is simple.

1. Submit a counter-notification through the form provided and include either your licensing information or a link to where it can be found online.

2. After you submit your counter-notification, the copyright holder will have 10 business days to respond. Since in this scenario the rights holder will know they have allowed their content to be licensed out, there should be no conflict and your video will be reinstated.

‘Fair use’ is another thing YouTube’s system has no way of detecting. ‘Fair use’ means that you are using content that you do not own, and which you do not have a license to use, but that you are using it in a way that is legally protected. Satire, criticism, education, and news reporting are areas that may be protected by fair use, although every situation is different.

There is no situation in which crediting a rights holder, adding a disclaimer, or simply not monetizing your video will make it fair use.

To reverse a copyright strike where you believe your video should be protected as ‘fair use’, submit a counter-notification through the web form YouTube provides. The rights holder will have 10 business days to provide YouTube with evidence that they have initiated a court action against your content. There is a chance that they will not agree with you about the ‘fair use’ status of your video. You could be in for a bit of a fight.

If your account has been suspended for accumulating multiple strikes, you will no longer be able to access the online counter-notification form and will have to send a free-form counter-notification. Information on that can be found here .

3. Community Guidelines Strikes

Most video creators – people who post vlogs, travel videos, and various kinds of tutorials – will never receive this type of strike. Sexual content, hateful content, threats, and scams are among the things you could post which would result in a community guidelines strike. Creators, in general, are not interested in posting cruel or graphic content.

The only thing some video creators might have to be careful of is misleading metadata. You can get community guidelines to strike for intentionally using the title, tags, and description of your video to build up an expectation of the content your video does not deliver on. For example, if you post a personal vlog and title it ‘Call of Duty Review’ to try and capitalize on people who might be searching for gaming videos then you might receive a strike.

Blatantly using keywords that have nothing to do with your content is not something you can do accidentally, but it is possible to be misleading in your metadata without trying to be dishonest. YouTube is a very competitive place, and many creators are turning towards title strategies which could be considered ‘clickbait’. If you say in your title that you had a baby, but reveal in your actual video that ‘had a baby’ meant ‘wrote a new song’, will that get you a community guidelines strike? Probably not, but it can be a thin line.

In general, just don’t mention anything in your title or tags which you do not talk about in your video.

Community Guidelines strikes expire after three months. As long as you only have one strike, it will not affect your channel or what you can do on YouTube. If you receive a second strike within the three months of your first strike, you will lose the ability to post videos for two weeks. If you receive a third strike before either of your previous strikes has expired, your account will be terminated.

Have you experienced a copyright strike against your YouTube channel? Let us know what happened in the comments.

Create Original Videos with Excellent Video Editor

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Oct 26, 2023• Proven solutions

0

Do you monetize your videos? Or, do you like to Livestream? These are two perks of having a YouTube account in good standing. You can lose these privileges, have your ability to post videos frozen, and even have your account terminated if you start accumulating strikes.

If you receive a strike, you will usually be able to get rid of it. This article will show you how.

Table of Content:

1. Copyright Strikes

2. Wrongful Copyright Strikes

3. Community Guidelines Strikes

There are two types of strikes: Community Guideline Strikes and Copyright Strikes. Your account and all your videos will be deleted if you get three of either one of these types of strikes, but YouTube is fair about how these strikes are given out and how you can reverse them.

1. Copyright Strikes

You get a copyright strike when you use media in your video which someone else owns the copyrights to. Music, clips, photographs, and sound effects are examples of the kinds of media you may use that could be owned by someone else.

The most obvious way to earn a copyright strike is to repost content which you did not create, i.e. clips from a television show or a popular song. If you know that the content you got a strike for was not yours and did not fall under ‘fair use ’, then there are two ways you can resolve it.

1. You can complete YouTube’s simple course on copyright infringement (Copyright School ) and wait three months. Copyright strikes expire in three months so long as you complete the course (they will not expire if you don’t take the course).

2. you can contact the holder of the copyright and ask them to retract their claim. You will probably have to offer to delete your video. Keep in mind that it is completely up to the rights holder whether you deleting your video is enough for them to retract their claim. They are allowed to say ‘no’.

Deleting your video, especially if you do so without contacting the rights holder, will not automatically reverse your copyright strike.

The majority of copyright strikes that you as a YouTube creator receive – if you receive any – will not be as black and white as ‘someone else owns it, you shouldn’t have used it’. If you know that you have a license to use the song or other media you got the strike for, or feel like your use of a clip falls under ‘fair use’, then your path to reversing the strike will be different.

2. Wrongful Copyright Strikes

YouTube’s system for detecting copyright infringement is automated. This means that you can get a copyright strike without actually breaking any rules. These strikes are generally easy to reverse.

For creators, the most common instance of this is being flagged for using copyrighted music. When you download royalty-free music – whether you download it for free or pay for it – you might not realize that that music is still copyrighted to someone else and can still be flagged by YouTube’s system.

If this has happened to you, reversing it is simple.

1. Submit a counter-notification through the form provided and include either your licensing information or a link to where it can be found online.

2. After you submit your counter-notification, the copyright holder will have 10 business days to respond. Since in this scenario the rights holder will know they have allowed their content to be licensed out, there should be no conflict and your video will be reinstated.

‘Fair use’ is another thing YouTube’s system has no way of detecting. ‘Fair use’ means that you are using content that you do not own, and which you do not have a license to use, but that you are using it in a way that is legally protected. Satire, criticism, education, and news reporting are areas that may be protected by fair use, although every situation is different.

There is no situation in which crediting a rights holder, adding a disclaimer, or simply not monetizing your video will make it fair use.

To reverse a copyright strike where you believe your video should be protected as ‘fair use’, submit a counter-notification through the web form YouTube provides. The rights holder will have 10 business days to provide YouTube with evidence that they have initiated a court action against your content. There is a chance that they will not agree with you about the ‘fair use’ status of your video. You could be in for a bit of a fight.

If your account has been suspended for accumulating multiple strikes, you will no longer be able to access the online counter-notification form and will have to send a free-form counter-notification. Information on that can be found here .

3. Community Guidelines Strikes

Most video creators – people who post vlogs, travel videos, and various kinds of tutorials – will never receive this type of strike. Sexual content, hateful content, threats, and scams are among the things you could post which would result in a community guidelines strike. Creators, in general, are not interested in posting cruel or graphic content.

The only thing some video creators might have to be careful of is misleading metadata. You can get community guidelines to strike for intentionally using the title, tags, and description of your video to build up an expectation of the content your video does not deliver on. For example, if you post a personal vlog and title it ‘Call of Duty Review’ to try and capitalize on people who might be searching for gaming videos then you might receive a strike.

Blatantly using keywords that have nothing to do with your content is not something you can do accidentally, but it is possible to be misleading in your metadata without trying to be dishonest. YouTube is a very competitive place, and many creators are turning towards title strategies which could be considered ‘clickbait’. If you say in your title that you had a baby, but reveal in your actual video that ‘had a baby’ meant ‘wrote a new song’, will that get you a community guidelines strike? Probably not, but it can be a thin line.

In general, just don’t mention anything in your title or tags which you do not talk about in your video.

Community Guidelines strikes expire after three months. As long as you only have one strike, it will not affect your channel or what you can do on YouTube. If you receive a second strike within the three months of your first strike, you will lose the ability to post videos for two weeks. If you receive a third strike before either of your previous strikes has expired, your account will be terminated.

Have you experienced a copyright strike against your YouTube channel? Let us know what happened in the comments.

Create Original Videos with Excellent Video Editor

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Oct 26, 2023• Proven solutions

0

Do you monetize your videos? Or, do you like to Livestream? These are two perks of having a YouTube account in good standing. You can lose these privileges, have your ability to post videos frozen, and even have your account terminated if you start accumulating strikes.

If you receive a strike, you will usually be able to get rid of it. This article will show you how.

Table of Content:

1. Copyright Strikes

2. Wrongful Copyright Strikes

3. Community Guidelines Strikes

There are two types of strikes: Community Guideline Strikes and Copyright Strikes. Your account and all your videos will be deleted if you get three of either one of these types of strikes, but YouTube is fair about how these strikes are given out and how you can reverse them.

1. Copyright Strikes

You get a copyright strike when you use media in your video which someone else owns the copyrights to. Music, clips, photographs, and sound effects are examples of the kinds of media you may use that could be owned by someone else.

The most obvious way to earn a copyright strike is to repost content which you did not create, i.e. clips from a television show or a popular song. If you know that the content you got a strike for was not yours and did not fall under ‘fair use ’, then there are two ways you can resolve it.

1. You can complete YouTube’s simple course on copyright infringement (Copyright School ) and wait three months. Copyright strikes expire in three months so long as you complete the course (they will not expire if you don’t take the course).

2. you can contact the holder of the copyright and ask them to retract their claim. You will probably have to offer to delete your video. Keep in mind that it is completely up to the rights holder whether you deleting your video is enough for them to retract their claim. They are allowed to say ‘no’.

Deleting your video, especially if you do so without contacting the rights holder, will not automatically reverse your copyright strike.

The majority of copyright strikes that you as a YouTube creator receive – if you receive any – will not be as black and white as ‘someone else owns it, you shouldn’t have used it’. If you know that you have a license to use the song or other media you got the strike for, or feel like your use of a clip falls under ‘fair use’, then your path to reversing the strike will be different.

2. Wrongful Copyright Strikes

YouTube’s system for detecting copyright infringement is automated. This means that you can get a copyright strike without actually breaking any rules. These strikes are generally easy to reverse.

For creators, the most common instance of this is being flagged for using copyrighted music. When you download royalty-free music – whether you download it for free or pay for it – you might not realize that that music is still copyrighted to someone else and can still be flagged by YouTube’s system.

If this has happened to you, reversing it is simple.

1. Submit a counter-notification through the form provided and include either your licensing information or a link to where it can be found online.

2. After you submit your counter-notification, the copyright holder will have 10 business days to respond. Since in this scenario the rights holder will know they have allowed their content to be licensed out, there should be no conflict and your video will be reinstated.

‘Fair use’ is another thing YouTube’s system has no way of detecting. ‘Fair use’ means that you are using content that you do not own, and which you do not have a license to use, but that you are using it in a way that is legally protected. Satire, criticism, education, and news reporting are areas that may be protected by fair use, although every situation is different.

There is no situation in which crediting a rights holder, adding a disclaimer, or simply not monetizing your video will make it fair use.

To reverse a copyright strike where you believe your video should be protected as ‘fair use’, submit a counter-notification through the web form YouTube provides. The rights holder will have 10 business days to provide YouTube with evidence that they have initiated a court action against your content. There is a chance that they will not agree with you about the ‘fair use’ status of your video. You could be in for a bit of a fight.

If your account has been suspended for accumulating multiple strikes, you will no longer be able to access the online counter-notification form and will have to send a free-form counter-notification. Information on that can be found here .

3. Community Guidelines Strikes

Most video creators – people who post vlogs, travel videos, and various kinds of tutorials – will never receive this type of strike. Sexual content, hateful content, threats, and scams are among the things you could post which would result in a community guidelines strike. Creators, in general, are not interested in posting cruel or graphic content.

The only thing some video creators might have to be careful of is misleading metadata. You can get community guidelines to strike for intentionally using the title, tags, and description of your video to build up an expectation of the content your video does not deliver on. For example, if you post a personal vlog and title it ‘Call of Duty Review’ to try and capitalize on people who might be searching for gaming videos then you might receive a strike.

Blatantly using keywords that have nothing to do with your content is not something you can do accidentally, but it is possible to be misleading in your metadata without trying to be dishonest. YouTube is a very competitive place, and many creators are turning towards title strategies which could be considered ‘clickbait’. If you say in your title that you had a baby, but reveal in your actual video that ‘had a baby’ meant ‘wrote a new song’, will that get you a community guidelines strike? Probably not, but it can be a thin line.

In general, just don’t mention anything in your title or tags which you do not talk about in your video.

Community Guidelines strikes expire after three months. As long as you only have one strike, it will not affect your channel or what you can do on YouTube. If you receive a second strike within the three months of your first strike, you will lose the ability to post videos for two weeks. If you receive a third strike before either of your previous strikes has expired, your account will be terminated.

Have you experienced a copyright strike against your YouTube channel? Let us know what happened in the comments.

Create Original Videos with Excellent Video Editor

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Oct 26, 2023• Proven solutions

0

Do you monetize your videos? Or, do you like to Livestream? These are two perks of having a YouTube account in good standing. You can lose these privileges, have your ability to post videos frozen, and even have your account terminated if you start accumulating strikes.

If you receive a strike, you will usually be able to get rid of it. This article will show you how.

Table of Content:

1. Copyright Strikes

2. Wrongful Copyright Strikes

3. Community Guidelines Strikes

There are two types of strikes: Community Guideline Strikes and Copyright Strikes. Your account and all your videos will be deleted if you get three of either one of these types of strikes, but YouTube is fair about how these strikes are given out and how you can reverse them.

1. Copyright Strikes

You get a copyright strike when you use media in your video which someone else owns the copyrights to. Music, clips, photographs, and sound effects are examples of the kinds of media you may use that could be owned by someone else.

The most obvious way to earn a copyright strike is to repost content which you did not create, i.e. clips from a television show or a popular song. If you know that the content you got a strike for was not yours and did not fall under ‘fair use ’, then there are two ways you can resolve it.

1. You can complete YouTube’s simple course on copyright infringement (Copyright School ) and wait three months. Copyright strikes expire in three months so long as you complete the course (they will not expire if you don’t take the course).

2. you can contact the holder of the copyright and ask them to retract their claim. You will probably have to offer to delete your video. Keep in mind that it is completely up to the rights holder whether you deleting your video is enough for them to retract their claim. They are allowed to say ‘no’.

Deleting your video, especially if you do so without contacting the rights holder, will not automatically reverse your copyright strike.

The majority of copyright strikes that you as a YouTube creator receive – if you receive any – will not be as black and white as ‘someone else owns it, you shouldn’t have used it’. If you know that you have a license to use the song or other media you got the strike for, or feel like your use of a clip falls under ‘fair use’, then your path to reversing the strike will be different.

2. Wrongful Copyright Strikes

YouTube’s system for detecting copyright infringement is automated. This means that you can get a copyright strike without actually breaking any rules. These strikes are generally easy to reverse.

For creators, the most common instance of this is being flagged for using copyrighted music. When you download royalty-free music – whether you download it for free or pay for it – you might not realize that that music is still copyrighted to someone else and can still be flagged by YouTube’s system.

If this has happened to you, reversing it is simple.

1. Submit a counter-notification through the form provided and include either your licensing information or a link to where it can be found online.

2. After you submit your counter-notification, the copyright holder will have 10 business days to respond. Since in this scenario the rights holder will know they have allowed their content to be licensed out, there should be no conflict and your video will be reinstated.

‘Fair use’ is another thing YouTube’s system has no way of detecting. ‘Fair use’ means that you are using content that you do not own, and which you do not have a license to use, but that you are using it in a way that is legally protected. Satire, criticism, education, and news reporting are areas that may be protected by fair use, although every situation is different.

There is no situation in which crediting a rights holder, adding a disclaimer, or simply not monetizing your video will make it fair use.

To reverse a copyright strike where you believe your video should be protected as ‘fair use’, submit a counter-notification through the web form YouTube provides. The rights holder will have 10 business days to provide YouTube with evidence that they have initiated a court action against your content. There is a chance that they will not agree with you about the ‘fair use’ status of your video. You could be in for a bit of a fight.

If your account has been suspended for accumulating multiple strikes, you will no longer be able to access the online counter-notification form and will have to send a free-form counter-notification. Information on that can be found here .

3. Community Guidelines Strikes

Most video creators – people who post vlogs, travel videos, and various kinds of tutorials – will never receive this type of strike. Sexual content, hateful content, threats, and scams are among the things you could post which would result in a community guidelines strike. Creators, in general, are not interested in posting cruel or graphic content.

The only thing some video creators might have to be careful of is misleading metadata. You can get community guidelines to strike for intentionally using the title, tags, and description of your video to build up an expectation of the content your video does not deliver on. For example, if you post a personal vlog and title it ‘Call of Duty Review’ to try and capitalize on people who might be searching for gaming videos then you might receive a strike.

Blatantly using keywords that have nothing to do with your content is not something you can do accidentally, but it is possible to be misleading in your metadata without trying to be dishonest. YouTube is a very competitive place, and many creators are turning towards title strategies which could be considered ‘clickbait’. If you say in your title that you had a baby, but reveal in your actual video that ‘had a baby’ meant ‘wrote a new song’, will that get you a community guidelines strike? Probably not, but it can be a thin line.

In general, just don’t mention anything in your title or tags which you do not talk about in your video.

Community Guidelines strikes expire after three months. As long as you only have one strike, it will not affect your channel or what you can do on YouTube. If you receive a second strike within the three months of your first strike, you will lose the ability to post videos for two weeks. If you receive a third strike before either of your previous strikes has expired, your account will be terminated.

Have you experienced a copyright strike against your YouTube channel? Let us know what happened in the comments.

Create Original Videos with Excellent Video Editor

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Choosing the Best Cameras & Lenses for Vloggers

A Vlogger’s Guide To Camera Lenses

Richard Bennett

Nov 01, 2022• Proven solutions

0

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

• Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
• Part 2: Vlogging With Each Focal Length Group
• Part 3: Crop Factor
• Part 4: Focal Length Equivalency Table
• Part 5: Aperture
• Part 6: Vlogging With a Fast Lens
• Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

• Better low-light performance
• Better autofocus performance
• Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

• More expensive
• Moving subjects more likely to get out of focus when shooting with a large aperture
• Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Nov 01, 2022• Proven solutions

0

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

• Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
• Part 2: Vlogging With Each Focal Length Group
• Part 3: Crop Factor
• Part 4: Focal Length Equivalency Table
• Part 5: Aperture
• Part 6: Vlogging With a Fast Lens
• Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

• Better low-light performance
• Better autofocus performance
• Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

• More expensive
• Moving subjects more likely to get out of focus when shooting with a large aperture
• Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Nov 01, 2022• Proven solutions

0

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

• Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
• Part 2: Vlogging With Each Focal Length Group
• Part 3: Crop Factor
• Part 4: Focal Length Equivalency Table
• Part 5: Aperture
• Part 6: Vlogging With a Fast Lens
• Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

• Better low-light performance
• Better autofocus performance
• Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

• More expensive
• Moving subjects more likely to get out of focus when shooting with a large aperture
• Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

Richard Bennett

Nov 01, 2022• Proven solutions

0

The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.

But which kind of lens is the right lens for you as a vlogger?

In this article, I’m going to help you figure that out.

• Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
• Part 2: Vlogging With Each Focal Length Group
• Part 3: Crop Factor
• Part 4: Focal Length Equivalency Table
• Part 5: Aperture
• Part 6: Vlogging With a Fast Lens
• Part 7: Optical Image Stabilization

Three Focal Length Groups: Wide, Standard, Telephoto

There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.

Wide-Angle Lens

Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.

Standard Lens

With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.

Telephoto Lens

Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.

Vlogging With Each Focal Length Group

You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.

When to vlog with a wide-angle lens

Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.

Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.

When to vlog with a standard lens

Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.

Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.

When to vlog with a telephoto lens

As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.

In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?

Crop Factor

Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).

In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.

Focal Length Equivalency Table

This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.

Focal Length / Sensor	Full Frame	APS-C	Micro 4/3
Wide (Handheld Selfie-Safe)	16mm	10mm	8mm
Wide (Handheld Selfie-Safe)	18mm	11mm	9mm
Wide (Handheld Selfie-Safe)	24mm	15mm	12mm
Wide	35mm	22mm	18mm
Standard	50mm	31mm	25mm
Telephoto	70mm	44mm	35mm
Telephoto	100mm	63mm	50mm
Telephoto	200mm	125mm	100mm

Aperture

The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).

Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.

Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.

But do you even need a fast lens?

Vlogging With a Fast Lens

Pros of Vlogging With a Fast Lens

• Better low-light performance
• Better autofocus performance
• Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)

Cons of Vlogging With a Fast Lens

• More expensive
• Moving subjects more likely to get out of focus when shooting with a large aperture
• Better continuous autofocus performance needed when shooting moving subjects with a large aperture

Optical Image Stabilization

Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).

OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.

In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.

If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.

Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .

Richard Bennett

Richard Bennett is a writer and a lover of all things video.

Follow @Richard Bennett

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